Origin of Spring Festival couplets.

Best answer: The origin of Spring Festival couplets should be traced back to the “peach charm” of Zhou Dynasty at the earliest. The so-called peach charm is two peach wooden boards. At that time, Taofu was not hung during the Chinese New Year, but always hung at the gate, which is roughly like the “Taishan Shi Gandang” in front of the house now. In the Han Dynasty, when there were relevant records, it was directly stated that peach charms were hung on the first day of the first month, which had the function of exorcising evil spirits. When poetry became popular in the Sui and Tang Dynasties, there was a particular emphasis on confrontation and peace.

The origin of Spring Festival couplets should be traced back to the “peach charm” of Zhou Dynasty at the earliest. The so-called peach charm is two peach wooden boards. At that time, Taofu was not hung during the Chinese New Year, but always hung at the gate, which is roughly like the “Taishan Shi Gandang” in front of the house now.

At that time, there were also names written on the mahogany board, namely, shentu and Yulei, and it was the related legends from them that the mahogany ward off evil spirits. To the later generations, after the formation of Spring Festival couplets, these two people were directly put up as door gods. But as a beginning, the Spring Festival couplets for the New Year are slowly taking shape.

In the Han Dynasty, when there were relevant records, it was directly stated that peach charms were hung on the first day of the first month, which had the function of exorcising evil spirits. In this way, Taofu has a direct relationship with Chinese New Year. Next, with the prevalence of the style of parallel prose and the prevalence of poetry in Sui and Tang Dynasties, there was a particular emphasis on antithesis and levelness.

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